top of page
Works from our 2023 Live Auction
Jason Greig
Benedictio
340 x 260mm
Jason is a notable printmaker known for blending 19th-century Romanticism and heavy metal influences in his work. His pieces juxtapose Gothic imagery with commentary on human behaviour. He graduated with honours in engraving from the University of Canterbury in 1985 and taught at Otago and Canterbury schools of art. His annual exhibitions feature lithographs, paintings, and more. His art is held in collections including Te Papa Tongarewa and Christchurch Art Gallery.
340 x 260mm
Jason is a notable printmaker known for blending 19th-century Romanticism and heavy metal influences in his work. His pieces juxtapose Gothic imagery with commentary on human behaviour. He graduated with honours in engraving from the University of Canterbury in 1985 and taught at Otago and Canterbury schools of art. His annual exhibitions feature lithographs, paintings, and more. His art is held in collections including Te Papa Tongarewa and Christchurch Art Gallery.
Jason Greig
Courier ll 2020,
oil on board,
260mm diameter.
Jason is a notable printmaker known for blending 19th-century Romanticism and heavy metal influences in his work. His pieces juxtapose Gothic imagery with commentary on human behaviour. He graduated with honours in engraving from the University of Canterbury in 1985 and taught at Otago and Canterbury schools of art. His annual exhibitions feature lithographs, paintings, and more. His art is held in collections including Te Papa Tongarewa and Christchurch Art Gallery.
oil on board,
260mm diameter.
Jason is a notable printmaker known for blending 19th-century Romanticism and heavy metal influences in his work. His pieces juxtapose Gothic imagery with commentary on human behaviour. He graduated with honours in engraving from the University of Canterbury in 1985 and taught at Otago and Canterbury schools of art. His annual exhibitions feature lithographs, paintings, and more. His art is held in collections including Te Papa Tongarewa and Christchurch Art Gallery.
Ben Reid
Once upon a time in the south
530 x 780mm
Limited edition 1/10, 2023
Etching & Relief print
530mm x 780mm
Ben is a Christchurch based contemporary printmaker represented by galleries throughout Aotearoa. He majored in printmaking at Ara School of Art and Design. Specialising in Intaglio, more specifically drypoint and relief printmaking techniques, Ben’s critique of the vulnerability of ecosystems in the 21st century are impossible to dismiss, his prints directing the predicament of native species and their circumstances and possibilities of their resolution back at us.
530 x 780mm
Limited edition 1/10, 2023
Etching & Relief print
530mm x 780mm
Ben is a Christchurch based contemporary printmaker represented by galleries throughout Aotearoa. He majored in printmaking at Ara School of Art and Design. Specialising in Intaglio, more specifically drypoint and relief printmaking techniques, Ben’s critique of the vulnerability of ecosystems in the 21st century are impossible to dismiss, his prints directing the predicament of native species and their circumstances and possibilities of their resolution back at us.
Bill Hammond
Bone Eagle C 2007
Artist’s proof, etching on paper
280 x 380mm, framed
Often described as New Zealand’s greatest contemporary painter, Lyttelton legend Bill Hammond was a tremendous benefactor of local education. His original vision and genius talent inspired a generation of children who’ve passed through Lyttelton Main, Lyttelton West and, now, Lyttelton Primary schools. Bone Eagle C, 2007 and Bone Eagle B, 2007 are etchings that explore similar themes to his paintings. Like much of his work, these prints invite narrative speculation. In stark monochromatic contrast, an eagle clutches a bone. The avian figure raises the osseous matter, as if in protest at devastating historic events.
Artist’s proof, etching on paper
280 x 380mm, framed
Often described as New Zealand’s greatest contemporary painter, Lyttelton legend Bill Hammond was a tremendous benefactor of local education. His original vision and genius talent inspired a generation of children who’ve passed through Lyttelton Main, Lyttelton West and, now, Lyttelton Primary schools. Bone Eagle C, 2007 and Bone Eagle B, 2007 are etchings that explore similar themes to his paintings. Like much of his work, these prints invite narrative speculation. In stark monochromatic contrast, an eagle clutches a bone. The avian figure raises the osseous matter, as if in protest at devastating historic events.
Ben Reid
I used to sleep at night
700 x 1000mm
Limited edition 1/12, 2023
Relief & Woodblock print.
Ben, a mixed media artist and printmaker, delves into the intricate relationship between New Zealanders and their natural environment.
His diverse subjects range from hunting trophies to Victorian wallpaper patterns, native flora and fauna, invasive predators, and more. Ben's art highlights the complexity of humanity's connection with the natural world, recognising that finding straightforward solutions can be a formidable task.
700 x 1000mm
Limited edition 1/12, 2023
Relief & Woodblock print.
Ben, a mixed media artist and printmaker, delves into the intricate relationship between New Zealanders and their natural environment.
His diverse subjects range from hunting trophies to Victorian wallpaper patterns, native flora and fauna, invasive predators, and more. Ben's art highlights the complexity of humanity's connection with the natural world, recognising that finding straightforward solutions can be a formidable task.
Greg Yee
Flag 2
23ct gold leaf
710mm diameter
Greg, a second-generation Chinese-New Zealander born in 1965 in Oamaru, has a lineage originating from his great grandfather's move to New Zealand from Taishan, China in 1920. After childhood years in Oamaru, Greg settled in Lyttelton. In 2008, he earned a Bachelor of Design with a sculpture focus from Ara Institute of Technology. His standout piece "China Cityscape" from the graduate exhibition secured the Mortlock McCormack Art Award. Continuing his education, Greg obtained a Bachelor of Fine Arts (First Class Honours) in 2011 and a Master of Fine Arts (Distinction) in 2017 from the University of Canterbury.
23ct gold leaf
710mm diameter
Greg, a second-generation Chinese-New Zealander born in 1965 in Oamaru, has a lineage originating from his great grandfather's move to New Zealand from Taishan, China in 1920. After childhood years in Oamaru, Greg settled in Lyttelton. In 2008, he earned a Bachelor of Design with a sculpture focus from Ara Institute of Technology. His standout piece "China Cityscape" from the graduate exhibition secured the Mortlock McCormack Art Award. Continuing his education, Greg obtained a Bachelor of Fine Arts (First Class Honours) in 2011 and a Master of Fine Arts (Distinction) in 2017 from the University of Canterbury.
Marie Le Lievre
School (Baggage)
Oil on Canvas
340 x340mm
Born in Wellington, Marie studied Criminology and Education before focussing on her artistic career in Fine Arts. She travelled extensively abroad while living and working in London, Israel and Argentina. She completed a Master of Fine Arts (Distinction) at the University of Canterbury in 2008. In 2009 she was included in the Christchurch Art Gallery's exhibition of emerging painters. She has exhibited throughout New Zealand and in Australia, Japan and France. She currently lives and works as a full-time artist in Lyttelton.
Oil on Canvas
340 x340mm
Born in Wellington, Marie studied Criminology and Education before focussing on her artistic career in Fine Arts. She travelled extensively abroad while living and working in London, Israel and Argentina. She completed a Master of Fine Arts (Distinction) at the University of Canterbury in 2008. In 2009 she was included in the Christchurch Art Gallery's exhibition of emerging painters. She has exhibited throughout New Zealand and in Australia, Japan and France. She currently lives and works as a full-time artist in Lyttelton.
River Jayden
Rūaumoko
Digital media
594 x 841mm
River is a University of Canterbury Bachelor of Arts graduate, presently pursuing postgraduate studies. Her research in art history centres on the appropriation of Māori culture by colonial and religious influences, with a specific emphasis on kōwhaiwhai patterns. River employs her digital art expertise to create clothing and prints inspired by Māori culture, particularly kōwhaiwhai designs. Her unique talent for vibrant design renders her creations highly sought-after.
Digital media
594 x 841mm
River is a University of Canterbury Bachelor of Arts graduate, presently pursuing postgraduate studies. Her research in art history centres on the appropriation of Māori culture by colonial and religious influences, with a specific emphasis on kōwhaiwhai patterns. River employs her digital art expertise to create clothing and prints inspired by Māori culture, particularly kōwhaiwhai designs. Her unique talent for vibrant design renders her creations highly sought-after.
Gill Hay
Green kete with violets
Oil on canvas
1010 x 1010mm
Gill, a graduate of Canterbury University School of Fine Arts in the early 1980s, boasts a rich exhibition history in New Zealand and abroad spanning over 25 years. Her past works have explored diverse themes, including series on the landscapes of the Port Hills and Lyttelton Harbour, as well as domestic scenes and an interest in clothing and fabrics. Residing in Lyttelton, she works from her home studio, overlooking the Inner Harbour.
Oil on canvas
1010 x 1010mm
Gill, a graduate of Canterbury University School of Fine Arts in the early 1980s, boasts a rich exhibition history in New Zealand and abroad spanning over 25 years. Her past works have explored diverse themes, including series on the landscapes of the Port Hills and Lyttelton Harbour, as well as domestic scenes and an interest in clothing and fabrics. Residing in Lyttelton, she works from her home studio, overlooking the Inner Harbour.
Glen Curtin
Sunlight 2
Enamel paint
1420 x 960mm
Glen's background in furniture design and his fascination with modern New Zealand architecture have steered him into the world of immersive and enjoyable abstract creativity. Using enamel paints on smooth plywood panels, he creates fine lines and captivating colour combinations. His art plays with bold shapes, depth, and motion to engage viewers and spark curiosity. Glen is a lifelong Christchurch resident, primarily residing in Lyttelton and its surroundings. His studio and workshop are in Redcliffs, and he showcases his work at the LEStrange gallery in Sumner.
Enamel paint
1420 x 960mm
Glen's background in furniture design and his fascination with modern New Zealand architecture have steered him into the world of immersive and enjoyable abstract creativity. Using enamel paints on smooth plywood panels, he creates fine lines and captivating colour combinations. His art plays with bold shapes, depth, and motion to engage viewers and spark curiosity. Glen is a lifelong Christchurch resident, primarily residing in Lyttelton and its surroundings. His studio and workshop are in Redcliffs, and he showcases his work at the LEStrange gallery in Sumner.
Dan Summers
I remember
Serpentine
1000mm long
Born in Christchurch, Dan learned his artistic craft from his late father, Llew Summers. Over the last three decades, he has been actively engaged in creating art. His preferred mediums include metal, timber, and stone. Dan's artistic drive stems from a profound appreciation for life and its history, embracing both the present and the past. Dan grew up with the love of arts and the outdoors, foraging and gathering.
Serpentine
1000mm long
Born in Christchurch, Dan learned his artistic craft from his late father, Llew Summers. Over the last three decades, he has been actively engaged in creating art. His preferred mediums include metal, timber, and stone. Dan's artistic drive stems from a profound appreciation for life and its history, embracing both the present and the past. Dan grew up with the love of arts and the outdoors, foraging and gathering.
Simon Max Bannister
By Hook and Flame
Cupressus macrocarpa, mixed media
1860 x 550mm
Simon transforms wood into bronze sculptures that harmoniously blend delicate details with bold angles. His bird forms are striking, capturing the essence and fragility of each species. Each piece pays tribute to nature's beauty and the urgency of its preservation. In outdoor works, Simon incorporates industrial elements, reshaping steel into themes like skeletal armatures, nests, and wings. These creations mirror his passion for nature's restoring force. His sculptures serve as guardians of the land, drawing attention to the environment as they gracefully merge with the landscape.
Cupressus macrocarpa, mixed media
1860 x 550mm
Simon transforms wood into bronze sculptures that harmoniously blend delicate details with bold angles. His bird forms are striking, capturing the essence and fragility of each species. Each piece pays tribute to nature's beauty and the urgency of its preservation. In outdoor works, Simon incorporates industrial elements, reshaping steel into themes like skeletal armatures, nests, and wings. These creations mirror his passion for nature's restoring force. His sculptures serve as guardians of the land, drawing attention to the environment as they gracefully merge with the landscape.
Dean Venrooy
Nonesuch Gully
Oil on gesso board
100 x 200mm
Known for his tiny, often circular or oval canvases, Dean takes the traditional idea of the picturesque landscape and uses it like a stage set for imagery that is surreal, mystical and spiritual. Through the messenger birds, props and rocky biomorphic figures, aspects of Lyttelton Harbour are observed and alluded to. Works are small and jewel-like, something to peer into and wonder at, something to search for small clues and hidden meanings. Dean has work in public collections throughout New Zealand and is found written up in many Art publications. He lives and paints in Governor’s Bay.
Oil on gesso board
100 x 200mm
Known for his tiny, often circular or oval canvases, Dean takes the traditional idea of the picturesque landscape and uses it like a stage set for imagery that is surreal, mystical and spiritual. Through the messenger birds, props and rocky biomorphic figures, aspects of Lyttelton Harbour are observed and alluded to. Works are small and jewel-like, something to peer into and wonder at, something to search for small clues and hidden meanings. Dean has work in public collections throughout New Zealand and is found written up in many Art publications. He lives and paints in Governor’s Bay.
Nigel Jamieson
Mechanics Bay Awaroa/ Godley Head
Oil painting
1150 x 750mm
Nigel has a passion for the outdoors, including activities like fishing, tramping, and hunting, which often serve as inspiration for his paintings and sculptural creations. In addition to capturing the natural world, he also uses his art to address social and environmental issues. Nigel finds the landscape's vibrant colours particularly inspiring and frequently paints outdoors, believing that it's not just about observing it but being fully immersed and connected with it.
Oil painting
1150 x 750mm
Nigel has a passion for the outdoors, including activities like fishing, tramping, and hunting, which often serve as inspiration for his paintings and sculptural creations. In addition to capturing the natural world, he also uses his art to address social and environmental issues. Nigel finds the landscape's vibrant colours particularly inspiring and frequently paints outdoors, believing that it's not just about observing it but being fully immersed and connected with it.
Nichola Shanley
Vase
Porcelain 2023
250 x 250mm
Nichola, a Lyttelton-based artist, displays a wide spectrum of creative expression across various mediums. Her work features whimsical and fantastical imagery characterised by unique textural techniques. Her ceramic creations evoke a sense of uncovering ancient artefacts from a dream-inspired archaeological realm. These pieces are enchanting narratives themselves, infused with an enigmatic and mischievous magic that defies explanation.
Porcelain 2023
250 x 250mm
Nichola, a Lyttelton-based artist, displays a wide spectrum of creative expression across various mediums. Her work features whimsical and fantastical imagery characterised by unique textural techniques. Her ceramic creations evoke a sense of uncovering ancient artefacts from a dream-inspired archaeological realm. These pieces are enchanting narratives themselves, infused with an enigmatic and mischievous magic that defies explanation.
Robyn Smith
Look Before You Leap
Acrylic, mixed media
635 x 635mm
Robyn, a retired Interior Designer, has dedicated over 20 years to painting. In recent years, her acrylic abstract landscapes have earned her two awards. She draws inspiration from the breath-taking South Island scenery, spanning from the Caitlins to Banks Peninsula and the Marlborough Sounds
Acrylic, mixed media
635 x 635mm
Robyn, a retired Interior Designer, has dedicated over 20 years to painting. In recent years, her acrylic abstract landscapes have earned her two awards. She draws inspiration from the breath-taking South Island scenery, spanning from the Caitlins to Banks Peninsula and the Marlborough Sounds
Callum Arnold
Pass
Oil on linen
455 x 710mm
Callum was born 1973 in Wellington, and raised in Hawkes Bay. His home and studio are based in Governors Bay. MFA from the University of Canterbury, currently the Head of Visual Art Faculty at St Margaret’s College in Christchurch.
Oil on linen
455 x 710mm
Callum was born 1973 in Wellington, and raised in Hawkes Bay. His home and studio are based in Governors Bay. MFA from the University of Canterbury, currently the Head of Visual Art Faculty at St Margaret’s College in Christchurch.
Maryrose Crook
Night Shade
Oil on canvas
762 x 610mm
Maryrose, a New Zealand artist and musician, has her paintings in collections worldwide. She recently exhibited at the Halle Saint Pierre Gallery in Paris as part of a survey of outsider art curated by "Hey! Modern Art and Popular Culture" magazine. Currently, she's creating new work for an upcoming group exhibition called "Desert Forest" promoted by the Getty Center in Los Angeles, focusing on the convergence of art and science.
Oil on canvas
762 x 610mm
Maryrose, a New Zealand artist and musician, has her paintings in collections worldwide. She recently exhibited at the Halle Saint Pierre Gallery in Paris as part of a survey of outsider art curated by "Hey! Modern Art and Popular Culture" magazine. Currently, she's creating new work for an upcoming group exhibition called "Desert Forest" promoted by the Getty Center in Los Angeles, focusing on the convergence of art and science.
Tjalling de Vries
Helmet Capital
Mixed media on linen
850 x 650mm
Tjalling is an artist born in the Netherlands who grew up on Banks Peninsula and lives in Ōhinehou. He is represented by Jonathan Smart Gallery.
Mixed media on linen
850 x 650mm
Tjalling is an artist born in the Netherlands who grew up on Banks Peninsula and lives in Ōhinehou. He is represented by Jonathan Smart Gallery.
Don McGlashan, Delaney Davidson and Arran Eley
‘Frank’ The Heater
Collaborative work, heater and paint
The heater has become a piece of art following its stint as a groupie!
Now transformed to look like an owl, the heater accompanied NZ Music Hall of Fame inductee Don McGlashan on his ‘Take It To The Bridge Tour’ this year, stopping in with the Kiwi singer/songwriter at Karamea, Barrytown, Golden Bay, Dunedin, and Glenorchy. Brought along by sound engineer, Arran, it was initially a source of warmth for the tour’s French horns which don’t play in tune if they’re not at the correct temperature. But it eventually became more, a beloved member of the tour.
Collaborative work, heater and paint
The heater has become a piece of art following its stint as a groupie!
Now transformed to look like an owl, the heater accompanied NZ Music Hall of Fame inductee Don McGlashan on his ‘Take It To The Bridge Tour’ this year, stopping in with the Kiwi singer/songwriter at Karamea, Barrytown, Golden Bay, Dunedin, and Glenorchy. Brought along by sound engineer, Arran, it was initially a source of warmth for the tour’s French horns which don’t play in tune if they’re not at the correct temperature. But it eventually became more, a beloved member of the tour.
bottom of page